ἀναφορά anaphora
ofiara, dar, urząd · przekład roboczy
STEP: an offering
Występowanie
2 × LXX 2
Lb 1Ps 1
Formy w tekście
| ἀναφορὰν | anaphoran | akt. koni. | 2 |
Definicja · STEPBible: Abbott-Smith, Manual Greek Lexicon of the NT
an offering; office
Wystąpienia · 1–2 z 2
W literaturze · fragmenty, w których pada to słowo lub jego transliteracja
- Daniela De Panfilis, Il racconto doppio nel Libro di Samuele (Analecta biblica 235; Roma: Gregorian & Biblical Press 2022)
Artur Grzegorz Malina · 2023
… (alliteration, assonance, paronomasia, rhyme or rhythm) and the much more numerous lexical ones (anadiplosis, anaphora, anastrophe, antimetabole, epanadiplosis, inclusion, epanorthosis, epiphora, epimone, climax, anticlimax, symploche, chiasmus and other parallelisms). Each case is illustrated with examples from the texts of Scr …
- Repetition and not Parallelism as the Determinant of Poetry in the Hebrew Bible. A Case Study of Biblical Story of Creation (Gen 1)
Marcin Majewski · 2020 · 7. Repetition as a fundamental phenomenon of biblical poeti…
… repetition of syllables (wordplay), final repetitions (rhyme) ▪ repetition of individual words (word pairing, anaphora) ▪ repetitions of phrases, lines, sentences (e.g. inclusion) ▪ accent repetitions (rhythm, accent strokes, rhythmic division, tempo) ▪ repetition of whole fragments (verses, stanzas and refrain) ▪ repetition of …
- Reading as Re-reading: The Poetic Function of the Grammatical Ambiguity in Jer 51:20-24
Łukasz Popko · 2018 · 5. V. 20-24: Who is God’s Instrument?
… rves as the poem’s conclusion and broadens the interpretative horizon once again. V. 24 does not continue the anaphora of the poem; yet, the “oracle of YHWH” formula at its end rounds up the whole passage; therefore v. 24 constitutes its essential part. The direct address to the weapon in v. 20 (2 – אַּתָהm.s.) corresponds to th …
- Apophatic and Anthropomorphic Visions of God in Philo of Alexandria
Scott D. Mackie · 2023 · 3. Apophatic Visions of an Anthropomorphic God
… s its basis” (μίμησις μὲν γὰρ δημιουργήσει, ὃ εἶδεν, φαντασία δὲ καὶ ὃ μὴ εἶδεν, ὑποθήσεται γὰρ αὐτὸ πρὸς τὴν ἀναφορὰν τοῦ ὄντος). On this text, see Watson, Phantasia in Classical Thought, 62–93; Platt, Facing the Gods, 320–329. On the reciprocal role of a phantasia in the production and reception of an ekphrasis, see Vasaly, Re …
Teksty wystąpień: LXX — Septuaginta, wyd. A. Rahlfs (1935); opracowanie cyfrowe i lematy: E. Wong, OSSP (CC BY-NC-SA 4.0)
Hasło: STEPBible TBESG/TBESH (Tyndale House Cambridge, CC BY 4.0); Strong (domena publiczna, JSON Open Scriptures, CC BY-SA). Polskie odpowiedniki i glosy interlinii — przekład roboczy Scriptury (model językowy), do weryfikacji z leksykonami.